男人藏精阁

The stilt level of Zhilan Yuehua Pavilion, Hangzhou, is con-ceived as a “borderless forest dwelling.” By weaving the nat-ural image of “orchids and jade trees, moonlight rippling like water” into every corner, the design dissolves the boundary between architecture and daily life, shaping a living organism where function and art breathe together.



Lan · Book House is a cross-generational reading realm: a qui-et, dignified zone for adults, a vivid exploratory landscape for children, and a co-working enclave laced with Hangzhou lit-erary cues.

Yue · Chan Juan is a women-only sanctuary, its gentle palette and supple furnishings cultivating an atmosphere of self-pampering.

Lan · Theater, inspired by the circus, offers children a ritu-al stage for fearless performance.

Zhi · Qing Ming Tea Bar distills woodland Zen, satisfying both social encounters and solitary repose.



Aesthetic artistry and utility advance in tandem: pendant lamps hover like morning-glory blossoms, tabletops discreetly inte-grate wireless charging, and bespoke furniture converses with parquetry floors in a unified visual language.

With haute-couture craftsmanship, GUD knits natural metaphor into modern living, ensuring the space delights the eye while serving everyday needs—ultimately becoming a spiritual haven that connects neighbours and anchors mind and body.